insight

My Breakup with Word, My Love Affair with WordPress

by Shelly Leyden January 10, 2012

As a content creator and editor, I’ve always relied on Word to communicate ideas to the designers and developers on my team. To “paint a picture” of web content, I’d format, label, and highlight. Word was my go-to tool.

Recently, though, I gave it all up in favor of managing content in WordPress. And I'm loving it.

The Oodles of Source Content Challenge

A client came to us with great information hidden in the depths of a poor site experience. Among other things, they needed the content re-organized so users could find and use it.

Some months earlier, I'd remarked “Wouldn't it be great if we could put all of the client’s existing content into some sort of CMS and start moving it around?” The answer was yes. Let's do it on this project.

This was a classic “be careful what you wish for” moment for me. Without Word, I wouldn’t have a concrete deliverable that I controlled. Instead, we’d all have a living, breathing code base to share.

But, after confirming that we could rollback, compare changes, and even spit out a trusty Word doc if necessary, we decided to dive in.

Mapping It Out

While I went about researching, reading the old site and gaining all the knowledge I could about the client's business problem, development imported all the “source content” into an in-house instance of WordPress.

When debate ran high about the new site map, I used menus within WordPress to quickly create prototypes and test our organizational theories. In no time, it seemed, we had a new site map approved.

Then the Fun Really Began

I created the new site structure in WordPress — a slew of properly named, lovely blank pages. Then I went through more than 200 pages of source content, scanning for bits and pieces to populate those pages.

There was no need for a content audit spreadsheet. Each source content page retained its original URL, so we could document where it came from. Plus, I noted new page destination(s) or whether content was being retired and why, right in the CMS.

Meanwhile, wireframing sped along, informed by an in-depth knowledge of the type, length, and spirit of the source content as well as our strategy for refining it to support new site goals.

As the wireframes were being approved, I was already polishing pages that supported the templates. Once visual concepting began, I was able to point designers to plenty of content available for use in their comps.

No version control worries. No fighting over docs on the server. I just gave them a link and let the collaboration begin.

Oh But There’s More … More Productivity, That Is

Unlike in Word, I wasn’t creating to-do lists for dev to handle later — I noted keywords, added meta descriptions and refined page titles and URLS. I styled headlines and subheads and tables. I uploaded .PDF assets and added inline links. I made anchor, internal and external links, always making sure they were tagged with a good link title.

When I had pages ready, I added them to a queue for QA, who made changes on the fly. I could compare versions to see what had changed, then pass it along to the client.

We gave our client access to the content on WordPress, advising them when to make changes, when to comment, and when to call us. And they reviewed at lightning speed. As I watched their comments roll in real-time, I got better at making choices they would approve in the next round.

Bye Bye Word

I thought I would miss Word. After all, a CMS is an ever-changing code base, not a document I can lock up. But, the empowerment and efficiency it affords across disciplines is so worth letting go.

One complaint: I can compare changes between versions in WordPress, but sadly, am forced to accept or reject all of them as a package. In Word, I could jump from change to change accepting, rejecting or modifying as needed. The latter is better for a control freak, for sure.

Still, I’m not going back. We've already modified WordPress to suit our needs, and I know we can go further. Next time we have a project with tons of existing content, we will.

An Event Apart Atlanta 2011 Highlights

by Colin Walsh June 20, 2011

Last week I attended the An Event Apart conference in Atlanta. An Event Apart is produced by the folks behind A List Apart website and the A Book Apart publications.

Atlanta was a welcome respite from the 100-degree Austin heat. Sandwiched between watching the Dallas Mavericks winning their first NBA title and an Atlanta Braves game, I was immersed in two days of keynote speakers and a one-day content strategy workshop.

Topics ranged from responsive web design, mobile developments, SEO and trends in content. Here are several topics of conversation that remain stuck in my head.

Amazing Online Typography 


Jason Santa Maria
shared his passion for typography and the importance of selecting font systems for projects. Looking over the examples he shared (such as Santa Maria’s Lost World’s Fairs collaboration), you can’t help but think: the design floodgates are open. With tools such as TypeKit and Lettering JS, web type can be as rich, as rewarding, as print design. It’s incredible, and, I’ve got to say, it’s about time.

Think Mobile First


Luke Wroblewski shared a series of eye-opening statistics. Morgan Stanley predicted that smartphone sales would outpace PC sales by 2012; in actuality, smartphone sales reached that benchmark in 2010. The impact? There was 600% increase in traffic to mobile sites in 2010.

Wroblewski suggested that organizations consider their mobile experience first. I agree. It forces organizations and agencies to distill their projects down to the most important, the most fundamental, information. Wroblewski also shared interesting approaches to mobile user interfaces, stressing the importance of leading with content, with navigation in a supporting role. Best case, the nav should be practically invisible to the user.

Psychology and User Interface Design   


Sarah Parmenter discussed the importance of psychology in branding and user interface design. Parmenter examined how pyschological design choices and techniques can have a direct impact on reaching one's objectives.  

On day two, Jared Spool offered common-sense advice on user interfaces in a presentation entitled the Secret Lives of Links. You might think you’d fall asleep taking in a presentation about user interface engineering; however, Spool’s talk was great. He presented example after example of how simple design and content considerations can direct users to the information they seek, faster.

Doing More with CSS


The first day, we saw CSS animation in action. Through the MadManimation project, which recreates the title sequence of Mad Men, Andy Clarke demonstrated the rich possibilities of CSS3 animations. The sky’s the limit. Scene by scene, he demonstrated the precision that web animators and content creators can achieve with CSS3.

On day two, Eric Meyer walked the audience through how the An Event Apart website was created using CSS flexible boxes. It was interesting to see how this flexible approach to development can make responsive websites easier to achieve.

Keeping Up with Content


Kristina Halvorson outlined steps that any web content producer can take to reach their business objectives. Halvorson echoed points from other speakers about the importance of having fully developed content for projects (content is not a feature you can tack onto a website in midstream). I’m halfway through Halvorson’s book, Content Strategy for the Web, and definitely recommend it to anyone interested in online content or writing for the web.

 

 

Who Really Owns the Photos You Upload to Twitter?

by Colin Walsh June 1, 2011

When news broke that World Entertainment News, purveyors of celebrity photos and gossip, inked a deal to become the exclusive photo agency partner of Twitpic, the agency announced it was empowered to sell images posted on Twitpic for publication. While users that upload images hold the copyright, World Entertainment News is free to syndicate images as they see fit.

Soon thereafter,  Ellen DeGenres, celebrity and avid Twitpic user, announced she would no longer use Twitpic. Good for Ellen. Following suit, professional photographers expressed concerns that the new agreement would allow World Entertainment News to publish any photo posted to Twitpic.

And they may be right.

Those snapshots of your kids playing in the backyard, a pic uploaded at a concert, your photo of blueprints of the Death Star — if your images are uploaded to Twitpic they may be fair game for publication.

Welcome to the latest battle in internet privacy.

It’s hard to imagine a company that trades in celebrity red carpet shots would take the time to riffle through terabytes of images. But they could. And should that come as a surprise?

Twitpic’s terms of service — you know, the words you likely ignored when creating your account — explain that the organization can update terms of service clauses at any time.

The moral of the story is read before you click. 

 

SXSW, Herzog's Cave of Forgotten Dreams, and the Quest to Create Content that Lasts

by Austin Kleon April 21, 2011

painting in the Chauvet cave

Everybody goes to SXSW to see The Next Big Thing. We go to interactive to discover the next Twitter. We go to music to hear the next Arcade Fire. We go to film to see the next Hurt Locker.

SXSW is two weeks we spend trying to look into the future, but my favorite two hours at SXSW 2011 were spent looking into the past.

30,000 years into the past.

Werner Herzog’s Cave of Forgotten Dreams is a 3-D film that documents a rare look inside the Chauvet caves of Southern France — home to the oldest known cave paintings on Earth. I was lucky enough to catch the SXSW Film premiere. As a person who spends the majority of his time making marks to create meaning, it was impossible for me to take in those ancient paintings and not become emotional thinking about the way marks can last, the way they can travel through time and connect human beings.

Cut to one week ago. I was sitting in a bar with my friend Lee LeFever, the co-creator of Common Craft, a company that makes explanation videos “in plain English.” We were talking about the web and the common misconception that it is something ephemeral, something that is not permanent, something that doesn’t last. Lee told me that the most-watched, most-popular videos on the Common Craft site are videos that they posted in 2007. Videos about technology that are four years old, people still watch them and share them with friends, because the content is still strong and still valuable. As Rob Walker wrote in an article about the popular podcast Radiolab, “[sometimes] the value of a media product does not come from being fast. It comes from being timeless.”

“The most permanent medium is the digital one.” That’s something that Benjamin Palmer, CEO of The Barbarian Group, said in a recent interview. (When I think about the Chauvet caves, I’m reminded of the double meaning of “digital” expounded by cartoonist Lynda Barry: “This may be the digital age, but our hands are the original digital devices.”)

It’s easy in this industry to get caught up chasing after The Next Big Thing. Let’s not forget to also chase after The Thing That Lasts.

SXSW 2011 Talk: The Creative Process Illustrated: How Advertising’s Big Ideas are Born

by Gerren Lamson March 23, 2011
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